• Instagram
  •  Facebook
  •  LinkedIn
  •  YouTube
  • Bluesky
MUSIKLAB - JOHN ELLESON-HARTLEY
  •  Home
  •  Credits
  •  Coaching
  •  Contact
  •  Testimonials
  •  Watch
  • Blog

Mastering

The Music Room Podcast - Gareth Davies talks with mixing and mastering engineer John Elleson-Hartley.
Interviews

The Music Room Podcast – John Elleson-Hartley

The Music Room community is run by the fantastic Gareth Davies and includes it’s lovely podcast, The Music Room! I got to join him on Episode 31 for a fun chat talking about mixing, mastering and life. Was a lot of fun and thanks to Gareth for making it all Read more…

By John Elleson-Hartley, 11 months16th July 2024 ago
Using Volume Automation When Mastering
Mastering

Mastering – Using VOLUME AUTOMATION for MORE LIFE & CHARACTER.

Volume automation can be a great technique for adding some life and dynamic contrast when mastering a track. Here’s an example, using the superb track A New Chapter by video game composer Marcus Hedges, comparing the before and after. Volume Automation When Mastering A big thank you to Marcus for Read more…

By John Elleson-Hartley, 3 years1st May 2022 ago
Marco Frydshou Hansenberg
Mastered

Mastering Marco’s Hansenberg

It was a pleasure to work with composer Marco Frydshou by mastering this track for him. It’s an ad spot for Danish Vocational School & Technical College “Hansenberg“. Produced by WEITER

By John Elleson-Hartley, 11 years21st December 2013 ago
Mastered

Emily Jones’ Aberration In Melancholy

Today, February 29th, marks the launch of Emily Jones‘ album Aberration In Melancholy. It was nine months ago when Emily first approached me about mastering her musical creation. It has been a pleasure to have been discussing it with her, and assisting her here and there, as the album developed Read more…

By John Elleson-Hartley, 13 years29th February 2012 ago
Mastering

Make Your Mastering Engineer Happy!

Give your mastering engineer headroom and dynamics to help them give you the best sounding masters they can. This image is from a track of a Latin album I was to start mastering last week but, having checked through the tracks which were limited by around 6dB at a guess Read more…

By John Elleson-Hartley, 14 years30th August 2011 ago
Mastering

Here’s a Brick, Make it Sound Great!

What does a brick have to do with mastering? Yesterday, I had a quick chat on Twitter with Andy Wilson, mixing & mastering engineer at Masterdisk in NYC, about how I’d asked for new mixes for a Latin album I was to be mastering today as the original mixes were Read more…

By John Elleson-Hartley, 14 years25th August 2011 ago
John Elleson-Hartley

Nullify – 24bit WAV vs 128kbps MP3

A null test is a simple check to see if one track is a perfect digital copy of the original. This requires lining up, sample accurate, the original and copy on two separate tracks and reversing the polarity of one track. On playback, with both tracks mixed together and at Read more…

By John Elleson-Hartley, 14 years21st July 2011 ago
Dynamic Range

Dynamic Range Day Is Coming Soon!

There is a dream that many people share for an end to the mental loudness war that still continues after many years. One man who champions the idea of putting dynamic range back into music is mastering engineer Ian Shepherd (@ianshepherd) and he has come up with an excellent idea Read more…

By John Elleson-Hartley, 15 years19th March 2010 ago
Loudness War

How Is Spotify Doing It?

Have you read Ian Shepherd‘s blog posting entitled How Spotify might defuse the Loudness Wars. A post where he beautifully presented his case but got his facts wrong. What did he do about it? Anyone who follows Ian will know the quality of his content and respect him so it Read more…

By John Elleson-Hartley, 16 years12th October 2009 ago
Dynamic Range

Putting The Pleasure Back

The much discussed Loudness War rages on with artists, producers, record companies, et al, fearing that their musical creations will not succeed unless they are louder, or as loud, as the competition. Several attempts, and tools, have been made to educate us about the current situation – Bob Katz and Read more…

By John Elleson-Hartley, 16 years22nd April 2009 ago

Posts navigation

Previous 1 2 3 Next

LATEST...

  • FLIGHT 149 Hostage of War Soundtrack
  • Protecting Water Voles With Brolly’s Music
  • Ian Livingstone’s Music for This Year’s F125
  • Once Upon A Space by Miguel d’Oliveira
  • 100k+ Streams for Breath Of The Wild Orchestrated Vol. 2!
  • Kafka’s Last Trial Soundtrack by Daniel Markovich
  • Lam Shamseya’s Stunning Soundtrack by Mina Samy
  • Oleta Haffner’s Mother Must Be Fed Soundtrack
  • Intermundia’s Gone Supernova
  • Fiber Optic Symphonic Orchestra Soundtrack: Tessellation
  • ALEXANDER PARSONS
  • CHRIS ROE
  • IAN LIVINGSTONE
  • INTEMUNDIA
  • MARCUS HEDGES
  • MIGUEL D'OLIVEIRA
  • NAINITA DESAI
  • OLETA HAFFNER
  • RUPERT COLE
  • WILDFLOWER MUSIC
  • COACHING
  • CREDITS - ARTISTS
  • CREDITS - FILM & TV
  • CREDITS - MIXING & MASTERING
  • CREDITS - VIDEO GAME / TRAILER
  • SCORE MIXING
  • TESTIMONIALS

MUSIKLAB 2000 - Present | John Elleson-Hartley